Hello crafty friends, and Happy Saturday! I wanted to share this card that I made for the ScrappyShak Design Team. I made this last week while I was thinking about getting out of the dreary, cold weather here in Virginia. Gladys the flamingo hopped in her sunny yellow car and decided to head out to SoCal for the rest of the winter. She’s stopping to visit her BFFs in Arizona on her way. I used the new Tim Holtz Road Trip Colorize dies for my inspiration.
This is just a quick post to share some of the details in this card, as it’s just basically picking colors and putting the dies together. First I made Gladys using Distress Watercolor Paper. I colored the paper first with Kitsch Flamingo, Picked Raspberry, and Cocktail Party Mica Spray. Her beak is Mustard Seed. I used black and white cardstock for some details. I shopped her legs off so she would fit in the car, but I kept one to make it look like she has a foot steering the car.
The car is mostly made with yellow cardstock. I added some watercolor paper sprayed with Harvest Moon Mica Spray, and some metallic gold paper for the highlights. There are 4 layers to the main passenger compartment of the car. To make it look like Gladys was inside the car, I put her in between the 4 layers. I glued the bottom two layers together, placed her “in” the car, and then put the top two layers on.
For the background, I used Stormy Sky Distress Spray and Tumbled Glass Oxide Spray. I wanted it to be a bit dreary. I used the exhaust puff for grey, overcast clouds. I added Crypt Grit Paste on the bottom of the card for the road. I wanted a bit of green grass to transition from the road to the sky… but I had already colored my whole background piece with the blue sprays. How can I get some green in there? Well, blue and yellow make green. I took some Mustard Seed Spray stain (stain instead of Oxide because I wanted it to be more transluscent) and dabbed it on with a dry brush. It looked green enough for me! The letters and the numbers on the sign are from the Specimen die set. My first thought was to have Gladys driving out of Darlington County, but there wasn’t a “g” in the Specimen set, and Darlington didn’t fit on the sign. (I’m a die hard Bruce fan, and the song kept running through my head).
If you have this die or are contemplating purchasing it, I hope you are inspired to give it a try. Look through your dies to find a different character to put in the car in stead of Gladys! What about a snarky cat? Paper doll? I’m sure you can find something fun. Thank you for stopping by my blog, I appreciate you!
Hello crafty friends! I wanted to share this card that I made for the ScrappyShak Design Team. The inspiration for this card made with the Tim Holtz Sizzix True Love Colorize die set was a box of Valentine’s Day chocolates that I remember from my childhood. What I recall, not that it’s a fact, is that my Dad got my Mom a huge box of chocolates for Valentine’s Day, which was. a big thing, because our family didn’t have the luxury of splurging like that. I remember that it was a huge yellow heart, covered with satin flowers and ribbon. I thought it was the prettiest thing I had ever seen, and hoped that one day I would have someone who loved me enough to do the same for me (which I do). I remember my Mom kept that box for a long time, and kept special treasures in it. I had the most fun putting this die set together, imagining the flavor combinations, and who of my family would enjoy each one the most.
I started by building the chocolate box first. I chose several shades of gold foil kraftstock, including one from the Metallic Confections pad, and a couple from the Metallics Classics Idea-ology pack. Although I remember my Mom’s box being yellow, it seems odd to me now, and I could be wrong… unless the yellow boxes were on sale! After I put it together, I thought the top of the box needed a bow, so I got out my Bowtied Colorize die and made a big red bow. To get three colors I needed, I used two different pieces of red cardstock, and darkened the lighter one with Lumberjack Plaid Distress Ink to get three different shades for the bow. I don’t have a huge collection of colored cardstock, and I often use ink to alter the color that I’m looking for.
Next was the really fun part… putting together the chocolates! I couldn’t decide what color to use for the wrappers, so I went with something similar to what Tim showed on the packaging. After picking through my brown cardstock, I found pieces that looked the most like milk chocolate and dark chocolate, and then picked a slightly lighter shade for the wrappers. I also found some cream cardstock for the white chocolates, and picked a light pink for a pink confection. I cut out more than what I thought I would use. I think this was a tip from a Jennifer McGuire YouTube video. In hindsight, I might have cut all the circle pieces first, then assembled, so as not to mix things up, and make it easier on myself. I kept seperate piles of each different shape, including the decorations, just to keep things sorted. Once you get the hang of one of the shapes, it seems easier to do all of the same shape at the same time. I put together the wrapper pieces first, then added my chocolates, and finally the decorations. I used Bearly Art glue with a precision tip, but I could see using double sided adhesive sheets before cutting everything out, to make the assembly easier. Tweezers are your friend. What helped a lot for me was to use my Sizzix Sidekick die cutting machine, which I didn’t know I couldn’t live without until I bought one. I had a hard time justifying the expense for a smaller size manual die cutting machine, but I was lucky enough to find one on clearance. It’s perfect for something like this for me. The way my studio is set up, I have to get up from my worktable to get to my BigShot. It was very handy to be able to run a small die through my sidekick if I wanted another dark chocolate, or a different color for the decorations. Amazingly enough, the Sidekick works really well for having such a small footprint. I love having it right on my worktable.
I decided to make a 5×7 card so I could fit everything, and have room for a sentiment. I went through my Christmas Backdrops paper and found one I liked that reminded me of my Mom. I wanted to add some texture, so I embossed a piece of white cardstock with the Doily 3D embossing folder, after applying Tattered Rose Distress Oxide to the “inny” side. I misted the back of my paper, and also the side of the embossing folder with the ink. You can see I was a little heavy handed with the water, as I got a bit of a smear, but I decided to leave it. I don’t mind it, I think it adds a little something. Before I put everything together, I distressed the edges with coordinating inks. I added splatters of Vintage Photo and gold mica spray to the cream cardstock for more interest.
For the sentiment, I used the Crazy Talk stamps and Archival Vintage Photo. While I was straightening up my worktable, I noticed one of the candy embellishments fit around the work “love”, which I thought was pretty cute!
If you have this die or are contemplating purchasing it, I hope you are inspired to give it a try. Make sure you have some real chocolate on hand, because you’ll be craving some for sure! Thank you for stopping by my blog, I appreciate you!
Hello crafty friends! I wanted to share this card that I made for the ScrappyShak Design Team. The inspiration was the Yuletide colorize thinlit die, and also the Christmas Backdrops paper pack.
This card ended up nothing like I had originally planned! I wanted to make a wreath featuring colors that my son and his partner were using to decorate their home for the holidays – pink, silver, and sage green. My plan was to color watercolor paper using distress inks and sprays, and then assemble the wreath. When I started to look at the dies, I wasn’t sure exactly which colors I wanted to use for the different layers. I figured I had better assemble the wreath with cardstock first, so I could decide how I wanted to color my watercolor paper for the differnt layers. I also thought that I would use a coordinating paper from the Christmas Backdrops papers for the background. That got me going in a whole different direction!
I found the Backdrops paper that looked like an architectural drawing of the front of a home with a door that was pretty much exactly the right size for the wreath. I didn’t think the pink and sage wreath would go the best with this background paper. Looking through my stash, I was drawn to the Idea-ology Kraft stock paper stacks. The coordinate so well together. I pulled out some greens and reds, and decided to use them instead. The pink and sage green wreath would have to wait for another day!
Then I had the thought – wouldn’t it be neat to use only the papers in the idea-ology line? I needed 4 different greens to make the wreath, but there were only two that I thought went together in the Cool paper stack. I ended up using a dark brown from the Neutral paper stack for the base, and added in a metallic green from the Metallic Confections pad. I used three different reds from the Warm paper stack for the bow, and added a metallic pink from the Confections pad for the base layer of the berries. For the bell, I used two gold colors from the Metallic Confections pad, a gold from the silver and gold metallic paper pad, and the gold from the Christmas Deco sheets.
TIP: You don’t have to be a hero and figure out this die on your own! Go to Sizzix.com and check out the video for this die. Otherwise you might start to have a panic attack, like I did! I honestly almost gave up before I watched the video (several times). It is easier than it looks, once you get the hang of it.
The tricky part is the third layer of the wreath. The fourth layer goes right on top of the third in the same orientation. It really is gorgeous in real life, and certainly worth the effort. Photos do not do it justice. I found the berries to be somewhat frustrating, because they are so small, and I absolutely hate glue oozing out of the teeny tiny pieces. Next time I will definitely use double sided adhesive on the back of my paper before I die cut the berries. I’ve also seen many people using sequins, droplets, or other round embeliishments as a replacement for the paper berries, and they look fabulous as well.
To make the door stand out a little more, I cut a piece of vellum to fit over it, so you could still see the details on the door. I found an old brad that I wanted to use as a door knob, but it was silver, so I colored it with Distress Foundry Wax in Gilded, and heat set it. Another TIP: If you heatset something metal it will get VERY HOT! Use something to hold the item, and then don’t touch it to see if it’s dry (speaking from experience)!
I distressed the edges of the Backdrops paper, and added Vintage Photo Distress Ink. I layered this on top of another piece of the Backdrops paper, and then attached them to a 5×7 card base.
I wanted to add a house number and a sentiment. I found the right size numbers in the Postale die set, and decided to use the “Special Delivery” as the sentiment. Both of those were cut out of black alcohol ink cardstock, my favorite black paper. They need to make the black alcohol ink paper in “regulation size” sheets instead of the 5×7 size!
If you have this die, I hope you are inspired to give it a try. I’d love to see what you make, especially if it’s pink and sage green! Thank you for stopping by my blog, I appreciate you!
Hello again crafty friends! I wanted to share this card with you that I made for theScrappyShakDesign Team. The main element was the new Tim Holtz Stamper’s Anonymous Department Store stamp set. I wanted to share my process with you in case you would like to replicate this card. I ended up changing a few colors, so the leaves and the bow are actually layered – distress oxide first, then painted with mica stain.
I think I put too much pressure on. myself with this, because I really wanted to do something different. I had seen a lot of makes by other people on social media, and I wanted to do something different, in my own style, whatever that means. I knew I wanted silver bells. I started playing around with stamping on silver metallic cardstock. I used Archival ink, embossed with clear embossing powder. I liked the bells, but I didn’t like the rest of the stamp on the metallic paper. I wasn’t sure how the inks would work on the metallic paper. I thought about fussy cutting the bell part, and then stamping the bow and leaves on watercolor, and piecing them together. But, I also didn’t want this card to be so complicated that you would say “that’s nice, but too much work”. Everyone is so busy this time of year!
The stamp is beautiful. Very intricate, and very detailed. Trying to keep the beautiful detail of the stamp, I stamped on smooth Neenah Classic Crest Solar White. Because I didn’t use watercolor paper, I knew I’d have to use water or spray stains sparingly. I stamped with Archival Jet Black ink, and embossed with detail clear embossing powder. I though this would help keep the color where I wanted it, and keep the lines of the stamped image clean. It worked well when I was using oxide ink, but it didn’t resist the brushed pewter as well as I wanted it to. It’s still lovely in my opinion!
My first coloring was using Distress oxide ink pads. I smooshed them on my craft mat, and then used my smallest Ranger paint brush to apply the color to the stamped image. I used Lumberjack Plaid and Pine Needles. For the berries and bells, I sprayed a bit of Winterfrost Mica spray stain on my craft mat, and painted it on the berries. I did the same with the Brushed Pewterfor the bells. Several thin layers are best with this paper. TIP: If you’re painting on inks or sprays like this, the embossing powder will resist the medium, and sit on top of it. So as not to smear everything, paint one color and one area at a time, then carefully blot the excess off with a clean paper towel before moving to the next section.
I fussy cut the stamped image. Here’s another TIP: If you’re not leaving a white border when cutting out a stamped image, use a marker in the same color as the stamped image around the edge of the paper. This will cover up and imperfections in your cutting, and also give it a more finished look. After I finished (my first round) of coloring, I decided on the background colors. I went for blues to match the berries. I wanted the card to have a lighter blue behind the bells, gradually incerasing in intensity to the edge of the card panel. I used Distress Watercolor cardstock, and started with Tumbled Glass Oxide in the middle of the card panel, applied with a blending brush. Then I switched to Stormy Sky, which I only had in a Distress Ink pad. I would later add Faded Jeans Oxide around the edges. Use what you have! The Inks and Oxides blend well together. I think blending foam would work just as well if you don’t have brushes.
I stamped my sentiment in Archival Jet Black, and embossed with clear embossing powder. I added some splatter with the Winterfrost Mica Spray. To add some texture, I used Snowfall grit pastethrough the Snowflake stencil, THS050, moving the stencil and placing the snowflakes all over the background. Once I got the background done, I decided I wasn’t really happy with the pine needle coloring on the leaves, so I rummaged through my mica stains, and found Tree Lot Mica Spray from last year’s Christmas collection. I spritzed some on my craft mat, and colored in the leaves. After that, well, the bow just looked like it needed some sparkle too. I used Tart Cranberry over the Lumberjack Plaid. I suppose if you are reproducing this card, you could just use the mica sprays to paint the image, but I’m not sure if it would look exactly the same, since the oxide inks add a base layer underneath the sprays. If I were to make this card again, I would definitely try it with the mica sprays first, and skip the coloring with the oxides first. I just wanted to be clear explaining my process in case your card doesn’t look exactly as you expected. I also wanted to share that as long as the ink is dry, you can change the color by layering something else over the top if you’re not happy, especially if it’s in the same color family.
To visually “anchor” the bells to the card, I used a strip of garland from the Darling Christmas stamp set. You could make a garland out of any small pine stamps you have, or skip this part. I positioned the garland strip in my stamping tool in a curved shape, using the bells to position the garland, and stamped in Archival Jet Black, and then colored by painting on Tree Lot mica stain. I attached my bells to the card using dimensional foam squares. I blended Faded Jeans oxide around the edge of the panel, and added 3 blue Christmas Droplets.
I tried to show the shine of the mica sprays… the photos don’t really do the justice. To finish the card, I layered the panel onto shiny black cardstock and then attached it to an A2 cardbase made with Neenah Solar White Classic Crest 110 lb. cardstock. Thanks for stopping by my blog, and happy making season to you!
Hello fellow makers! Today I’m sharing a card I created for the ScrappyShakDesign Team with the new Tim Holtz Holiday Brushstroke #3 die set. I know… how many poinsettia dies do I need? Well, whatever you already have plus one more! I love the artsy brushstroke design of this one, and it goes together so easily. The greens that are included are beautiful. You don’t even have to use the layering pieces if you are short on time or want to simplify your card. Just start with an interesting piece of paper colored with multiple inks, and that will give you a beautiful result as well as the layers will.
I started by coloring my flowers. At first I thought about going with more subdued pinks. I die cut the flower die out of watercolor paper, and colored the base of the flower with Distress Oxide Spray in Spun Sugar. Then I saw my new Mica Sprays… so much for a subdued color scheme! Cocktail Party Mica Stain spray was calling to me! It’s such a pretty, sparkly pink! All of the layering pieces were still left in my cardstock piece that I had die cut, so I popped out the center flower piece (which would be sprayed with Harvest Moon Mica Spray) and sprayed the little layering pieces while they were still in the piece of cardstock I ran through my machine. This held them in place while I sprayed (see photo) and dried them with my heat tool. I popped them out when they were mostly dry, and layered them onto the flower base. I then splattered my flower (without the yellow center) with more Cocktail Party.
Do you ever get into “the zone” when you’re making? I can get so focused on what I’m doing, I lose track of time, what’s going on around me, and what I’m supposed to be doing… like taking photos of my process! Sorry! As I said, this flower is an easy one to put together, so the photos wouldn’t have been super interesting anyways! The one thing that I did play around with was how to get some sparkle on my flower. First I experimented with Distress Glitter, but I didn’t like the mess. I tried some on a scrap piece of paper, using collage medium to adhere the glitter. I thought about using clear embossing powder over that, but again, thought through the mess and decided not to. My next thought was to use some transparent texture paste, and mix in some glitter. Then I realized I already had a product just like that – the Distress Snowfall Grit Paste! Okay, problem solved. I added a light coat of the snowfall grit paste over the top of my flower with a palette knife, and set it aside to dry. I also used my fingers to move it around a little, and then used my die pick to get it out of the holes in the petals.
TIP: One thing to be aware of is that the Distress Inks, Oxides, and Mica Sprays will react when they get wet, even with the grit paste. You need to be careful how you apply the grit paste so that you don’t make your colors run together. I got a little yellow from the flower center onto the pink, and vice versa, but I was able to mostly wipe it away and fix it. It’s not a bad look, just not what I was going for.
Now on to the foliage… I picked some greens that I thought went together and complimented the pinks… Forest Moss and Bundled Sage Distress Inks, and Fresh Balsam Mica Stain. I colored different pieces of watercolor cardstock with each one of them, and splattered the Mica Stain on the Bundled Sage and Forest Moss pieces. I diecut the leaves out of the Fresh Balsam and Bundled Sage. I used the Forest Moss piece for the evergreen looking dies. I found a small piece of white textured paper in my stash that I thought would be prefect for the little berries. By the way, there’s no real guide as to where to place the berries on the die cut that is shown on the packaging. There aren’t any score lines or anything. Just wing it. I even scattered some of the berries on my final card front.
I went with tone on tone for the background. I started by coloring a piece of watercolor paper with Distress Ink in Old Paper. I smooshed some ink onto my craft mat, spritzed with water, swiped, dried, pounced, dried, etc. They I used two of the large stamps from the Stamper’s Anonymous Festive Collage set. I put them both in myMisti, side by side, and stamped at one time onto my background. You could of course use any combination of stamps to achieve the same look. I just wanted some more interest for the background. I cut the background down to 4 x 5.25 inches, and applied a bit of Vintage Photo around the edges.
After playing with my arrangement for what seemed like HOURS, I was happy enough with it to start finishing my card. Before I glued anything down, I added a sentiment from Stamper’s Anonymous Holiday Sketchbook, using Forest Moss Distress Ink. I wanted to emboss the sentiment, but I didn’t have an Oxide ink pad in Forest Moss. Instead, I used my Misti, stamping first in Forest Moss Distress Ink, then cleaned the stamp and stamped in VersaMark so the clear embossing powder would stick. I used some foam behind the Poinsettias, and added some of the small berries around my floral arrangement. Lastly, I attached my card front to an A2 sized base made from Distress Kraft Heavystock.
I hope you enjoyed my card, and that you got some ideas or learned something. Thanks for stopping by my blog! Please head on over to ScrappyShak to pick up your supplies!
WIth many of the colorize dies, I think, I don’t have 4 different papers of the same color, and then I get stuck. They’re not the right shade of … whatever. Analysis paralysis as they say! I came up with an idea that I’ll hope you try. If you want to make a red Harvey, you’ll need 3 different shades of red for his top, and 3 different shades of gray for his pants. What I did was to start with white watercolor cardstock, two different red inks, and one gray, and simply use a blending tool to get the colors I needed.
For the red, I started blending the lighter red on one end of the paper, and the darker on the other end. In the middle, I overlapped them until I got a medium shade between the two. I used Fired Brick Distress Ink, and Aged Mahogany. You could even go with a lighter red, like Festive Berries to get more of a contrast. The point is that you only need two different colors of red ink pads to make this work, a lighter one and a darker one, and then blend them together for the middle shade.
It’s kind of hard to tell in this photo, and clearer to see with the gray. I only have one gray ink, Hickory Smoke, so I just applied it to the cardstock lightly, darker, and darkest, to get the three shades I needed for his pants. Some of the colorize dies need 4 different shades of the same color family. I have a bit of a paper stash, but I just never seem to have the “right” colors. Starting with white paper and making my own shades seemed to make it a bit easier for me. I used black alcohol ink paper for his boots, and gold metallic kraftstock for some of the accents. I didn’t really have any skin color tone paper at all, so I just used Antique Linen.
Once I had all of the pieces diecut, I played around with different color choices for the cuffs and shoulders. I had to cut more cuffs and shoulders out of white. It seems like Harvey goes together better with either the cross piece OR the shoulder pieces. But I wanted to use both, so I did! You could use the shoulder pieces and the belt. I just glued the shoulders on where I wanted them, even though they don’t sit flat.
I was going for more of a toy soldier look, so I didn’t use some of the pieces, like the feather plume, and I really am not a fan of facial hair, even on my cards, so no mustache on this guy!
There’s a helpful video on sizzix.com as to the order to assemble him. They start with the pants, which I did as well. When you get to the shirt, you’ll see that it overlaps the top of the pants, so the shirt doesn’t sit flat on his body. This wasn’t clear in the video, but that’s the only way it fits. I convinced myself that was the way it was supposed to be, but it bothered me a little. I guess he’s more of an “untucked” guy!
I knew I wanted to use the Pine Branches 3-D embossing folder. I embossed a piece of white Neenah Classic Crest 110lb Solar White cardstock with the folder, spritzing the back of the paper, and running it through my die cut machine 3 times. I colored the raised branches with Pine Needles Distress Ink and a domed foam blending tool. I then added a little Rustic Wilderness, and went over the branch parts with a Vintage Photo Distress Pencil. A marker would work just as well, or you could skip that part.
Now what to do with Harvey? Is he just going to be standing under the tree? Should he have something else around him, like presents? Toys? Santa? This card had the potential to get really complicated! I decided to make him into an ornament. I used the ornament top and hanger from an older die set, Circle Words Christmas. You could easily shape a little piece of wire, or (I just thought of this now) use a real ornament hanger! To have it look right, I had to use a 5×7 cardbase so he would fit with the hanger.
For the sentiment, I stamped and embossed Merry Christmas from an older stamp set I had in my stash on a piece of vellum, and wrapped that around the card front. I attached Harvey to the card with foam squares for dimension. I layered that onto black alcohol ink paper (I love that stuff), and added some metallic droplets to complete the card. I really wanted Harvey to stand out on this card, and I think I accoplished that. Thank you for stopping by my blog. Please leave a comment if you are so inclined. I love answering your questions and hearing your feedback and comments!
This is a Halloween home decor piece I made mostly just for myself, just because. I love to make paper houses, especially for holidays. I thought about this for a while. I actually put the house together a couple months ago before I decided how to finish up the display. Again, I kind of collected a lot of stuff, and then got an idea, and added more stuff until I got enough stuff that seemed to go together. I never really am comfortable stopping when I’m creating something like this. Today I stopped because it was time to feed the dog, and, I was generally happy with it.
Here’s the story… Once upon a time, there was a snooty little town somewhere. The townspeople were very snooty, especially when it came to their church. They didn’t want anyone in their church who looked different, or sounded different, or wore different clothes. So they built another church, for the “outcasts”. Anyone they didn’t want in “their” church were sent to the Church of the Outcasts. Time went on, and the townspeople saw the error of their ways. Everyone was welcomed back into the big church, and everyone was very happy. The Church of the Outcasts was deserted, and fell into disarray. Along came Fluffy, one of the most intelligent cats in the town. She said to her friends, “Look, there’s a sign on that church for the out cats! That’s us!”. “What are out cats?”, said Blacky. Their friend Kitty said “Out cats are just cats that get to go outside and explore, like we do”. So Fluffy, Blacky, and Kitty started attending the Church of the Outcats every Sunday, and they were very happy.
Bigz Village Brownstone, Bell Tower, and Rooftops
Thinlits Garden Greens, Mischievous, Vault Series Halloween 2021, Bat Crazy
Cobblestone embossing folder
Idea-ology pumpkins, metal gates, backdrops, tiny bell
This projects took me… I don’t know… weeks. I did not take any process photos, because I was really doing this just for fun. I was kind of “in the zone”, especially when making the house, and the walkway.
For the walkway, I didn’t want to have to piece it together. I used one large piece of watercolor paper (9 x 12). My first attempt was using spray stains. First I cut out what looked like a walkway, then embossed it using the Cobblestone folder. I had to get creative to get the whole walkway through my machine. I chose spray stains to color it in browns and greys. While it was the easiest way to color a large piece, I just didn’t like how it turned out. So I tossed it, and started over. This time I used antique linen to give some color to the whole piece, and then used ink pads smooshed on my mat and a waterbrush to add color to each stone. That was much better, but not quite what I wanted. Then I added a thin layer of Crypt Grit Paste over the whole walkway. Perfect!
One thing I did that was different for me is the fall colored leaves. I wanted something to decorate the ground, and I thought of adding leaves. I wanted something light that would look crinkly, like dried leaves. I had a tube of white collage paper, and decided to use that. I cut two pieces, about the size of a half sheet of paper towel, because that’s what I put it on when I’m using spray stains. One piece I colored with fall colors… orange, yellow, red. Another piece I did in browns. When it dried, I decided to spray the back of the collage paper as well to match the colors on the front. To cut out the leaf shapes, I used the Garden Greens die set. Since the collage paper is so thin, kind of like tissue paper, I layered a piece of scrap cardstock under the collage paper when I die cut it.
The Mischievous cats were cut out of different specialty papers. The black cat was a flocked black paper. I layered a piece of fun foam between two diecuts to make the cat thicker so I could get it to stand up. The brownish cat was a woven metallic paper that was in my scrap box. I have no idea where I got that. For the white cat, I used white paper, and then applied white Fun Flock by Stampendous with collage medium.
Add a comment or send me an email if you have any specific questions about this make. I could literally write pages and pages on it! Thanks for stopping by my blog! Have a Happy Halloween!
Hello fellow paper lovers! Today I’m sharing a card I made while playing with some fabulous new (to me) ink pads by Maker Forte, all of which are available here at ScrappyShak! Not to be overly dramatic, but I really love these ink pads! I have been considering adding a new set of ink pads to my craftroom, and I think I’ve found just what I was looking for with the Maker Forte ink pads. These pads are so inky, and the colors are vibrant and crisp. They are dye based, so they clean up easily with water. Full disclosure: the red stained my fingernails, but I shouldn’t have gotten so messy! Since getting back into cardmaking after a 15 year (or so) hiatus, I have been focusing on collecting the Tim Holtz Distress inks and oxides. But occassionally, I want something that is not “distressed”. As I prepare to get ready for Christmas card making, I wanted to decide upon a new ink line to have on hand. Coincidentally, ScrappyShak just started carrying the full line of Maker Forte Color Hive ink pads. It’s a match made in crafty heaven for me! They are also the same width as the Distress ink pads, so they’ll fit nicely into my homemade storage shelves! I started with the basics: red (Telephone Box), yellow (English Mustard), and blue (Blue Raspberry), and added a pine green (Everglades), orangy red (Grand Canyon) and a neutral (Frappe). Of course I can blend the 3 primary colors to get the secondary colors, and that’s what I did here.
I had no idea where I was going to go with this, but I knew I wanted to blend some fall colors. I started with watercolor paper, and started blending with the Telephone Box red using a foam applicator and blending tool. Maybe I was too heavy handed, or maybe that’s just not the right tool to use with these ink silicone ink pads, because there was SO MUCH INK! The more I tried to blend it out, the more the watercolor paper just sucked it up! I was never going to get it to blend into orange by adding yellow, so I set that aside, and switched to plan B. I used Neenah Classic Crest Solar White 110lb cardstock, and a blending brush. More importantly, I started with a really light application of ink, and then added a little at a time. For me, I found the blending brushes much easier to use with these ink pads. If you only have the foam applicators, I would suggest to just start with a very light application of ink onto the foam, and do more layers until you reach the coverage that you desire. I mostly used the blending brushes now with all of my Distress ink, but still use the foam at times, like for adding shadows to edges of backgrounds or dies.
Here I show blending the red, blue, and then adding yellow to make orange and green. This ink is also water reactive, and I decided to spritz my background with a bit of water. I kind of wish I hadn’t, because I don’t really like the splotches on the finished card. But that was before I had really figured out what the finished card would be!
As the ink dried, the colors appeared to blend into each other better. Now that I had this beautiful background, I looked through my dies to see what I had that was kind of fall-like. I picked the Tim Holtz Sizzix Countryside Die that I had just picked up on clearance. The Countryside die is the same size as an A2 cardfront. There are lots of other dies out there that you could use instead. Nordic Winter by Tim Holtz is similar. The new Tim Holtz Layered Plaidwould be fun to try, or the Sizzix Botanic Scene by Lisa Jones. There are other Tim Holtz dies that are A2 sized, like Leafy Twigs, Arctic, Bouquet, Doodle Art #1 and #2, and Folk Flowers.
I ran the Countryside die through my die cutting machine with my blended background. Before I poked out all of the pieces, I thought about leaving some in place, like maybe the trees. While I was poking out the houses, I realized some of them looked the same. I put them back in a different place, and thought it looked pretty cool. I wonder if the trees work like that? Yes, they do! So I poked out the trees, and then popped them back in to a different spot. How cool is that?!?! Moving them around made them appear to stay more in the background, but definitely let them stand out and be seen as trees. Now I’m having fun!
Before I started gluing the pieces in, I glued the background onto a piece of white cardstock, so I could start gluing in the pieces. I decided to leave the little circle holes empty, showing the white cardstock that I mounted the background on. You could of course use a color if you prefer to not piece back in some of the cutouts, like the birds or the stars.
I figured the houses should stand out a little more than the trees, but I didn’t want to add another color, so I went with gold metallic paper, to go with the warmer fall colors. I punched the windows and doors out of the houses, so the white behind would show through as well. As I was piecing everything back in to the background, in the gold, I was thinking of making the card more Halloween-y, and thinking of adding bats.
That gave me the idea to make some of the birds into black crows. Crows are creepy, in my opinion. I cut out the die again with black paper. I had to use my embellishment wand to pick up the tiny pieces and fit them into the background. I also used my Bearly Arts glue, with the precision tip, which has become my favorite glue.
The sentiment is from an acrylic Tim Holtz set I got at Joann Fabrics. It’s the one with the pumpkins from a few years back. I loved how the Telephone Box Maker Forte ink stamped so crisp and clean with just one impression. I attached the sentiment to the card with foam mounting squares, and used a couple more tiny bats to embellish it. I mounted the front panel onto an A2 card base made with Neenah Solar White cardstock.
I hope you like my Halloween card. This design can also be used for a fall card, minus the bats maybe. It was so fun to put together. I am definitely using a similar design to make some Christmas cards this year, probably with different, more wintery colors, but definitely with the Maker Forte ink pads! Thanks for stopping by my blog! Have a happy, crafty day!
My Great Great Grandfather James Somerville was an artist. I… am not! Fun facts: He worked mostly in watercolors, designed the back of a Canadian bank note, and hardly ever painted people in his work. Although he did his self-portrait in oils. I am lucky to have a few of his paintings. I am unlucky in that I did not inherit any of his artistic genes! However, these new Distress Watercolor Pencils by Tim Holtz and Ranger, along with a stamp from Stampers Anonymous, let me express my own version of art. I wonder what Grandpa Somerville would have thought of these pencils? I’m sure he would have been amazed at the advancement in watercolor pencil technology! The pigment in these pencils is unreal. My takeaway message is that a little goes a long way, and that several lighter layers are better.
I chose the Floral Elements stamp set from Stampers Anonymous, because the flowers and greenery had a lot of open space that I could apply color to. The elements are separate, allowing you to create your own bouquet. I wasn’t quite sure what the final card was going to look like, or even if it would end up being a card. I started with a large (5×7) piece of watercolor paper to give myself more options, and laid out a rough arrangement of the stamps in the center of the paper, before I began stamping with Jet Black Archival ink.
After I got the main flowers arranged, I added some leaves. For my pencils, I picked fall colors. Coincidentally, at this point, I got a text from my son who said he was going to call shortly. So I just grabbed my pencils, a waterbrush, and my stamped image, and relocated to the kitchen so my husband could be on the call as well. No boys allowed in the craftroom! So easy and portable! I colored while we were on the phone. I can definitely see these pencils traveling well. Working with the pencils, I think the one thing I discovered is that it’s better to start with a light layer of color and add more. The pigment moves really easily with a little bit of water and the waterbrush, so I found it easy to push it where I wanted it.
When I had finished coloring, I decided to cut the panel down with the largest Tim Holtz Sizzix Stacked Deckle Die. I ended up changing the orientation of how I thought I wanted it, so every time I look at the finished card, I feel like it’s upside down! But I’m glad I started with a larger piece of paper so I could make the decision of how to crop it after it was done. Before I die cut, I chose a sentiment to add, and made sure it would fit. This sentiment is from Catherine Pooler’s Notable and Quotable Sentiment Stamp set. I diecut the panel, then stamped the image in Jet Black Archival ink, and embossed with detail clear embossing powder.
To finish up the card, I splattered with Picket Fence and Antique Linen Spray Stains, and distressed around the panel with Old Paper Distress ink. I layered this onto a piece of kraft stock from the neutral Kraft Stock Stack, and then layered that onto a Peeled Paint background I had leftover from another project. I tied some string on to balance the sentiment.
These Distress Watercolor Pencils are super easy to use, and produce great results. It almost looks like I knew what I was doing! All you need is a waterbrush, or even just a regular paint brush (the waterbrush is easier). If you have a Santa in your life, or are looking for a special gift to give to yourself, put these pencils on your list. You’ll be happy you did! Please consider supporting my Design Team sponsor, Melanie at ScrappyShak! She’s a wonderful woman, stands behind her company, and truly cares about each and every customer. Most of the products I used are available at ScrappyShak!
This was so much fun! I was actually overwhelmed with ideas for this… candy, creepy, floral… and then there are those wonderful Mischievous Cat dies this year from Sizzix! I started going through what I had in my Halloween stash, selecting things that I was drawn to. The problem was that my pile of cool stuff was way too big! It was never going to fit inside the curio clock! Then I thought, what could I do that was different? In my last Idea-ology project, I had drilled holes in the candy corn, and put them on the tiny lights. I loved how that turned out. Wouldn’t it be cool to drill holes in the little Idea-ology skulls, to light up their eyes? However, the candy corn is a soft material, and the skulls are a hard resin. I was definitely going to leave this up to the expert (my husband!). I had no expectations at all of his success with this tiny, hard, roundish skull, but he was able to drill the holes for me, using a 1/8 inch drill bit. I was so excited! Of course I had to stick lights in the sockets and test it out right away! The skull with the lights in the eyes became my inspiration!
The curio clock is all ready to go, straight out of the box. The back comes separate, and has to be glued on. The silver ring in the front comes off so you can add color to it separate from the body of the clock if you wish. My first challange was to figure out where I going to hide my tiny light battery pack. How was I going to run the wire inside? I wanted to put the tiny lights underneath the base. There are two small screws, attaching the base to the round clock shell. I decided to use one of the screw holes to run my lights through, leaving the switch and the battery pack under the base. This worked out great. One screw seemed like enough to hold the base on the clock. It’s not like I was going to be tossing it around the family room! The finish on the clock is very nice, in my opinion. You don’t have to cover it up or alter the finish if you don’t want to. They are also coming out with a red one for Christmas. But, I have the Skulls embossing folder, and since I decided to go with the skull theme, I was looking for other things to use. I recalled Tim Holtz had made a heart vignette a few years back, using Alcohol Ink Foil Tape in an embossing folder. I think that’s when I probably bought my foil tape, but never used it. The foil tape is great because it comes adhesive backed already. All you need to do is run it through with the embossing folder, peel and stick!
I covered the base of the clock first, while it was apart. I wanted to add some black to the foil to tone it down. I didn’t have any dark alcohol ink. I thought Tim had used Distress Crayon, so I applied it to the base, and worked it around a bit with a brush. This is where I figured out this should be another step done at the end… the crayon takes a while to cure, so I got it all over myself!
The tape is very flexible, but it does hold its shape farily well. Just be careful not to press down too hard, or you’ll loose the texture of the embossing folder. I cut slits in the tape so I could mold it around the front of the clock. You don’t notice it when the project is done. Then it was time to screw the base to the clock, with the one screw, and string the lights up through the other screw hole. I attached the battery pack underneath the base with a double sided foam square.
During this next part, I kind of got lost in the creative process, and forgot to take pictures! I wanted the focal point of the display to be raised up, so I constructed a curved shelf out of foam board, and covered it with brown kraftstock paper. The shelf is a rectangular piece of foam board, with a front and a back piece made to fit the curve of the curio clock on the bottom, and flat across the top. The text on the tombstone is from Idea-ology Remnant Rubs. I added Crypt Grit Paste, and a little Black Soot crayon. The bones also have Crypt Grit Paste. I used hot glue to attach them. They’re easy to cut with scissors if you want to make them look like they’re coming out of the ground.
Next I created the background scene. I used the technique that Tim demonstrated in his 2022 YouTube live Halloween DIstress launch, using mica sprays and the moon mask. After it dried, I cut it to fit inside of the back panel. I thought it would be cool to have some ghosts hovering about, so this is where I used the Vault Series Halloween 2021 dies. The ghosts were cut out of a piece of frosted acetate. I used foam squares to add them to the back, adding dimension.
I finished arranging the tiny lights so they would light up the skull’s eyes, and then run up the side of the clock where the moon would be. They were secured in place with more foam squares. The ground around the skull and bones was decorated with tiny gravel I found at the craft store with the model train stuff, and dried moss from the floral section. I finished the outside of the back of the clock in the embossed foil tape, and secured the back on with hot glue.
Lastly, I added the baseboard sentiment, and the trick-or-treater onlookers. This turned out really cute, in my opinion, and looks good both with the lights on or off. Give it a try with whatever you have in your craft space! The curio clock is a great vessel to hold anything that makes you smile! It doesn’t have to be idea-ology trinkets, it could be any small collection you have that you want to display. I can also remove the inside display if i want, and try another theme next year (candy corn!).